Showing Up

Anna Quindlen has this great philosophy about life, wherein she says something to the extent of “I show up, I listen, I try to laugh.”

I collect a lot of words: jot them down on scraps of paper, inside my planner, the app on my phone, my Moleskine, and try to remember them, but this is one of the few quotes that I have committed to memory. It’s probably because this is my general outlook on life.

This summer, I have been teaching writing again to another phenomenal group of young people, though I’ve had more of them for a summer (which has been perplexing for me because I feel like I just don’t know them like I used to–it’s much more difficult to figure out a kids’ writing quirks when there are +30 as compared to 15. I have even more sympathy and respect for teachers who have that many kids in their classes every day). Because I’ve had a larger class load, I’ve gotten creative about how I interact with kids. I’ve conducted writing conferences at breakfast, talked about integrating quotations over Google Docs and in the hall, given a quick recap of the Birmingham Children’s Crusade over lunch, and stopped to have intense chats between points on campus.

That’s what it means to show up.

Last night, I went to the summer showcase for a writing program because it featured a young man I urged to attend. He’s the type of writer whom you, essentially, get out of his way. We had sophisticated conversations about word choice, about intention, about meaning in ways that I’ve not spoken with many young people about, and that’s because he is curious, earnest and dedicated. (Funny, too, he’s the student who wrote quite adeptly about how he was dissatisfied with our classroom discussions about voice; he found them too reductive when, after all, voice can take a lifetime to develop. Touche. Absolutely correct…)

He was surprised to see me, and broke into a huge grin. As I chatted with his parents in the moments after the reading and before the young writers disbanded to find their families, his mother asked about my summer and thanked me again for suggesting he do the program. The student told me he’s submitted a few articles, rattled off something about words and length and I simply…marveled about how summers help young people to grow, and to be creative and to do powerful, amazing things. (On another note, how can we keep that fire from the summer in the school year?!)

And I’m pleased I was able to show up to let him know I was proud of him.

When I first began teaching, I showed up for everything: after school sessions, book clubs with students, parent events I created, community lectures that I attended with students. My week was on a seven-day cycle. Now, I am selective about my showing up: I get tired, and then I get cranky, and then I realize it’s not fun showing up if I am irritated and thinking about other things.

Thus, I try to pack a number of events into a weekend, say, or an afternoon. I can do a pancake breakfast sponsored by the crew team, see an early afternoon soccer game, hope that there’s a dance performance or a preview of a play, and perhaps squeak in some time to chat with a student who I’ve been hoping to build a stronger relationship with over a high point that I witnessed at one of those events.

There is a power in showing up for kids, and I understand, every time, that there is a power in showing up for them that extends to me. I am never sorry for the time I spent listening, laughing, pushing, stepping back, or just…being in their presence.

I’ll hope to build in those times to see them in other contexts beside the classroom throughout the upcoming school year.

I will show up. I will listen. I will try to laugh.

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The Day When the Kids Ran the Show: Student-Generated Rubrics

There’s the school of thought that encourages teachers to turn over creation of a classroom rubric to students. I’ve known about that school, but have always regarded it as entirely too time-consuming: brainstorming? Discussion? Consensus? Couldn’t I just do that with other assignments? Better still, couldn’t I just use my trusty rubric and move around some of the categories if I was doing something different?

Chalk this one up to always learning (me as teacher as much as them as students).

We have about two weeks left in school and my students have been writing a series of processing papers (called Inquiry Papers) guided by their own questions as they read Frankenstein. I generally don’t grade them until the end; rather, I just look over the questions, give them completion credit, and make broad comments about themes I see across the papers. Now, though, it’s time to grade their best work. Thus, it also seemed an appropriate time to try out something new (I’ve been working on not rolling out too many new ideas, but instead being thoughtful about what the kids need at the time, what I need and ultimately by what is most important for them and what we’ve set out to do): student-generated rubrics!

I began by asking them to do a brain dump of the qualities for an Inquiry Paper that meets expectations. From there, they brainstormed all the skills one would need to be able to write such a paper, which then became criteria that was then grouped into categories. My directions to students were broad: after they’d done the brainstorm, they then had to figure out what it made sense to be evaluated on and they had to reach consensus. Thus, I was going to observe their process to make sure everyone was involved–no one could sit and watch. Then I pretended to busy myself doing something else, but I could hear them and make covert observations.

What did I see? First, the discussion of everything we’ve been working on skill wise: “the question has to be a HOTS-one” (from Bloom’s taxonomy); “I think the quality of the question is really important”; “yeah, but you better analyze it”; “no hit and run quotes”; “the analysis has to be thorough”; “I don’t think you should put a formula in there [re: number of paragraphs]; she doesn’t care about how many paragraphs you have, she cares more about what you have to say and how you say it” (I almost collapsed with joy on that one, btw), and on and on they went.

A student from each class volunteered to type up the rubric and we looked it over the next day for any revisions (there were few). Now, students have a few days to evaluate their papers against the rubric, pick their very best inquiry paper, make any necessary revisions, and submit that paper for a grade.

I know those papers will be of the best they’ll write all year. I just know it.

Next year, I’m going to start the year with this exercise: students will have a few analytical papers that we’ll read (and practice our close reading skills, for sure), then we’ll do the same process. Thus, they’ll know what is expected from the beginning, and what it looks like, in their own language, but we’ll also constantly revise the rubric (well, they will and I’ll use what we come up with) as they develop more mastery with the content and  become more sophisticated writers (I have to give credit to my co-worker who made this suggestion about how to extend this process).

The theory met the practice when they created the rubrics, and the result was, as usual, fantastic.

You just have to let them be great, and you just have to go along for the ride.

Here you go if you want to see for yourself English Rubric 4th block

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#lcotw: Literary Citizens of the World

I have amazing abilities. Being in two places simultaneously, however, is not one. With the start of my graduate summer class, I found myself having to choose (or, as it were, having it decided for me): the big kids won out.

That meant that after talking up Chimimanda Adichie’s visit to Harvard Square as our next big event, my younger kids would have to go on their own. She’s become something of our own celebrity: we watch her Ted Talk about the danger of a single story and use it as a guiding question throughout the year as we interrogate single stories about colonialism, and that then trickles into everything else as we check ourselves and our own single stories (when kids dip into stereotypes, someone will suggest they stop buying into the single story…it’s awesome).

I managed to make it to the reading early into the Q & A. The place was jammed, so I stood in the back, way past being able to see or hear anything, but there’s something comforting and powerful about spaces where we are all gathered to hear, read and think about books.

Because I am a compulsive reader, too, it was only because I was looking over the selection of new books that I saw one of my students, propped up between the bookshelves, watching the reading via remote screen. When I made my way over to her, she smiled, said she’d been there for the whole thing, that she was having a hard time hearing the reading given her location, but she was happy she’d come.

As the reading ended and people began streaming out, I heard several students joyfully calling to me: they’d arrived early and were front row (!), were a bit breathless about being in the same room with Adichie (who was lovely combinations of funny, thoughtful, brilliant), and as many waited to meet her, we had an informal confab, there in the aisles of the bookstore and talked about the experience, about asking her questions about Half a Yellow Sun, about being out late on a school night to attend a reading.

This is what it means to be a Literary Citizen of the World.

When I taught in the city, I would take kids with me everywhere: readings, plays, events that helped them broaden their understanding of what it means to be a person who thinks and reads broadly in this world. Often the events were free, and other times I managed to get us comp tickets, but those adventures around this city were some of the more memorable ones for how it helped kids think of themselves and the spaces where they could be in, while helping me love them even more.

During my sabbatical, though, it was simply too hard to devote any time other than to learning what was up, so the LCOTW was temporarily disbanded.

I resurrected it this year because I’m in the city again, and I have kids who like showing up for stuff: they’ve attended documentary screenings, conferences, plays, readings and other performances, and now they talk about those events with a confidence and nonchalance that is admirable: as a person who is in the world, you just go to stuff that is interesting and you open yourself up to learning something new, and you almost always do leave with some new perspective. I incentivize the program by requiring a thought letter (a reflection about one big idea they were left thinking about after attending the event), which is always a delight to read because they’re reflecting on what they’ve learned or are still thinking about. I tend to savor those letters because those are moments where, if they’re written well (and most usually are), I can hear their voices, their delights, their joys.

I don’t go to half the things I tell them about, but that’s okay. The movement just needs to be started and they take it from there. Once it is up and running, kids start submitting events for approval and go on their own with their friends. Every now and then, if my schedule permits and if it’s not past my bedtime, I might join them. Or, if I can even make an event for the last few minutes of time, just to be able to chat with them about moments when an author says something so profound that you write it down and carry it with you and want to tell others about it?! Yeah, in those moments, I’m just happy to be in the same space with them so we can all say were there when literacy really mattered (of course they won’t say it like that, because they are children and they’re not so meta, but this moment will be important for them, though, in ways big and small).

As two other students waved goodbye on their way to get ice cream (because one should get ice cream after such events, yes? I completely agreed), they said they were coming back next week for another reading, some author that I didn’t know, but they said it sounded interesting. Literary Citizens of the World now has a life of its own, which is my hope whenever I roll it out: students will understand that all of this wonderfulness is for all of us, and they can go, too.

As the year rushes to its end and I have to make peace with what is done and undone, I’ll carry this time, of the night we went to see Chimimanda Adichie give a reading of her new book and then we went looking for Frankenstein (a different story, but a great one, nonetheless), and we loved reading and all the commensurate delights opened to us.

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Teachers of Color, White Suburbs: Teaching in a PW Secondary School

When I began teaching, I only wanted to teach in urban schools. My Ed.M. affirmed that commitment: as part of an Urban Teaching cohort, I completed my student teaching in the city and remained there for much of the last 10 years.

Then, I left for my sabbatical in the suburbs (I’ve written about it in various capacities in this space, so I encourage you to do a search for the tags “sabbatical in the suburbs” if you’re curious) and have returned to an urban school, but it’s actually more “urban-lite” than those earlier urban experiences.

I have interacted with some young teachers of color recently who are debating applying for positions in the suburbs at predominantly white (PW) secondary schools. I strive for honesty and objectivity. Then, I realized it’s probably easier (for me, in this case) to work out that advice in a blog post and refer them to it when I can’t seem to get the words quite right.

Why Teaching in the Suburbs is Beneficial:

  • You will never know your disciplinary content more than when you’re there; for lack of a better phrase, people know their s#$t. Seriously. They were probably English majors, or History majors at some fine institutions, they were “splendidly educated” (to quote Morrison), and they generally know how to communicate that knowledge to kids and colleagues; but don’t get starstruck. They are human just like you.
  • Your colleagues have probably been teaching for a while: thus, you can probably ask them anything, and for anything, and they’ll have some ideas about how to do it (or how not to do it), and, if they’re really awesome colleagues (like mine were), they’ll open some magical filing cabinet, or crack open a binder and give you a copy of something that’s useful, or not, but it’s something and when you’re scrambling for resources, something is everything
  • You get to be the teacher of color that, if you’re comfortable with it, can begin to help folks address their misunderstandings and stereotypes. They’ve offered you the job for some reason, and it’s usually more than a need to increase diversity: they’re usually not going to just roll the dice and pick a potential teacher that doesn’t have the teaching chops. Suburban schools just don’t make decisions like that; they’d rather leave the position open than hire someone that won’t be a good match for the school. That means you should speak up in meetings, you can offer insight, you can carve out a space for yourself within the school community if you want to. But don’t feel like you have to; there’s a difference.
  • You will understand aspects of excellent instruction and you can begin to/continue honing your practice. You’ll see a continuum of teaching excellence there (and you should see a range). Watch the teachers who kids rave about, the teachers whom your colleagues respect, and start tinkering with your own practice. Have conversations about what you see, ask questions, find answers…intellectualism often flourishes here.

And What’s Not So Great:

  • You’re probably going to be, if not the only (like I was), then at least one of a handful of people of color. That means that people will ask you stupid questions, both unintentionally (from students) and intentionally from faculty and staff. You have a choice about how you can respond: my reaction was usually to raise awareness with kids (because you might be the only Native American, Korean American, African American, etc. they might ever know that’s not on television or in the media), but not to preach. With adults, I tend to pick my battles: I feel like if schools are going to bring you out there, they shouldn’t expect you to be teaching everyone about YOUR PARTICULAR EXPERIENCE, which is your experience, and probably nothing like anyone else’s experience. But, you’re most likely going to have to do this. It’s going to be hard and exhausting and some days you’ll wonder if we all live in the same world, but it’s going to happen. Just know that.
  • You will regularly need to confirm and reaffirm your expertise, both for your students, for your colleagues and for yourself. I’m not saying teaching in the suburbs is like teaching in a country club or anything, but, if you’re used to teaching in an urban school, it’s a HUGE jump from that environment into a suburban one. The ways of delivering instruction are different, classroom management is different, expectations are different. And again, I’m not saying that teaching in the city is deficient, because it’s not; rather, it’s just…different. The difference is so dramatic, however, that if you don’t give yourself permission to get accustomed to it, you’ll think that you’re a fraud, that you’re never going to “get it,” and that you want to leave. Don’t. Leave, that is. And don’t stereotype threat yourself, because I think that can happen in teaching the same way it can happen with a standardized test (if you want to know more about stereotype threat, check out the brilliant Claude Steele’s work). Just keep swimming until you get some ideas about the lay of the land. Figure out who you can trust, look for allies, do more listening than speaking on occasion, also.
  • Kids of color are going to seek you out. You’re there for the kids, for all kids, yes, but, in all likelihood, the kids of color are also part of a small population, have sat in classes where teachers and peers have said crazy things and those kids have had to either correct, defend or be silenced, and they’re looking for understanding. They’re going to assume you can provide it for them. You will feel that you have to provide it. This feeling is both a good and bad aspect, because that also means you’ll be asked (either directly or indirectly) to advise clubs, go to meetings, speak up for them. I tended to do those things because kids need adults to be brave, even when I wasn’t feeling so brave. It’s amazing how fired up I can get when I remember that the kids need an advocate.
  • You will have to create your community. You might have other people of color that you can collaborate and commiserate with, but they might be in all different parts of the building. They’re probably either feeling like you’re going to feel, have felt that way, or have figured out how to make a life in this space (and, let’s be real: you should think of it as making a life, not surviving–at least after the first year). Invite them to hang out at lunch, or for coffee, or for some intentional time. Then, just bug out. You likely have a million other tasks on your to-do list, but add this one and you will reduce your sense of isolation.
  • You will be exhausted. Teaching is exhausting anyway, but the additional exhaustion you’re going to face from either deciding to speak up or say nothing can be overwhelming. If you teach texts that deal with race (i.e. Adventures of Huckleberry Finn, say), you’re going to have days when you come home, don’t want to talk to anyone, find some outlet for your feelings, and process your rage, your feelings of hopelessness, your decision to teach there. You have to decide if you can handle it. Personally, that piece was the one I didn’t think about, but the exhaustion was more potent and played more into my decision to leave than I anticipated. Now, mind you, I still feel exhausted (see the post about race I wrote earlier), but I’m not doing the work alone. That matters.
  • You also have the right to say no: that this experience isn’t for you, regardless how much money that particular district has and is willing to throw at you. Your emotional health is invaluable, and no one is going to blame you if you choose you. Sure, some people will throw shade about you giving up such a great opportunity, but what’s great for them is not necessarily great for you; remember that great schools and kids exist everywhere. You just need to find the place that is best for you, or best at that moment, or however you choose to define it (because those places and terms aren’t necessarily fixed).

Verdict: I do not regret my sabbatical one bit. For me, the positives were invaluable and while I did have to address those deltas, my teaching practice is much stronger for it. I realized how effective of a teacher I can be–and the teacher I strive to be every single day–after that time in the ‘burbs. But I have no desire to go back. I think that being the only Black woman on faculty was too difficult for me to deal with; I had that experience when I went to college and that was hard enough. I’ve no desire to relive that time. Rather, I’ve taken the good lessons from teaching in the ‘burbs and found a school that’s more diverse, that has excellent colleagues in their own right and provides me with the peace of mind that I need to keep teaching.

That was my choice, though, and my move to and from came after I’d been teaching for a while. I’m not fresh out of graduate school and itching for a job. I offer these reflections after some time spent in both contexts, in hopes that they begin to generate more ideas about what to consider when making what was, for me, a difficult decision.

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Conversations with Student Writers

When my students submit a draft, I ask them to give me some areas of particular growth that they’d like my feedback on. Here, a couple of my comments in response to a student:

After reading her draft: I would like to see your writing become more sophisticated. I think one place to start is with sentence variety and sentence length. You have lots of choppy sentences that are just…boring. From this draft, I can tell you can write. Now, you have to push your limits. Go.

She asked, “Can you detect my voice in my essay?” [Side note: what a brilliant, BRILLIANT question from such a young writer. My heart, my smile…VOICE?! Remind me to write about what Keith Gilyard said about voice that made everything crystal clear-ish to me about that].

Me: It’s there, hidden underneath some dry language. You actually have a voice that is quite poetic. You’ll develop it this term. It will be fun.

Indeed, it will be–and is–fun. I needed a reminder of the joy I have working with my students. March attempts to wring it from me as it marches forth (ha), but there is such joy in this work…

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Night School (or, crying at my desk)…

It’s a rookie move to sit crying at your desk WHILE THE KIDS ARE WORKING AWAY, isn’t it? I’m supposed to excuse myself to run to the bathroom, or step outside and slump down in a ball of messiness, but…today, it all happened too fast. My students are at work independently doing some standardized testing preparation for next week’s high-stakes affair, and I—diligent multi-tasker that I am—use that time to check my school email.

There’s a reply from a student who’s asked me to write a recommendation for her for a summer program that has a strong social justice component. This student, who is that one amazing kid we are fortunate to teach at least once in a lifetime, knows this proposed program is quite similar to the one she did last year. Might you do something more academic, I ask? You know, build out your resume and learn some new academic stuff. I’ve no doubt you’d be even more amazing in those summer programs.

Her reply is that she knows she should do something more academic, but she pays for everything in school (afterschool activities add up) and…this is the part that got me…maybe she could take a night school class.

Night school? You are 15 years old, can address issues of privilege and power better than most adults, write a dream piece of analysis, have a voice that is poetic and brilliant and memorable…and you know you should do something like go to night school because there’s no way to think about programs otherwise.

Tears. Leaking. I’m looking away from them—or trying to look but I keep looking at the email and it’s blurred because I feel so incredibly helpless at that moment–staring away from the kids who are diligently writing because they take everything so seriously, and I am crying. At 10:30 a.m., after we return from a fire drill and are re-starting after our disruption, I’m catching up on housekeeping, and I’m crying.

Because WHEN, for the love of all we do as educators, do the good kids get to win?! I’ve been thinking about this article from Slate for a few days now.

She’s one of those kids. She’s White, low-income, over-involved in school, but can’t dare to think of an opportunity that’s offered by the local colleges and universities, or others across the country, because she needs the money. I hate it when I am reminded that young people have to deal with grown-up problems. I hate that in this friggin’ school district that spends nearly 30K per child (!) that we can’t give her enough—or her peers who are equally well-deserving and eager and will change the world, I’m quite certain, if we JUST LET THEM—can’t think creatively enough to consider allocating funds for stipends, or making other things free. I hate that they have to make decisions that will mean something, ultimately, and will impact them, unfortunately, and so much of these decisions are predicated on factors they cannot control, cannot change, cannot surmount.

That is, until they do…surmount them, that is. I remind myself that I was one of those kids, smart and poor, who benefitted from reading the Fiske Guide to Colleges, dog-earing some pages about schools I couldn’t necessarily place on a map with any good accuracy, and who said yes when others suggested I leave my hometown, major in English and American Studies, hire me back for summer after summer and not mind while I read my way through the days. Make no mistake. It’s been incredibly hard and I’ve wanted to quit, but I didn’t. But I also didn’t understand—until now, when I am faced with students who are trying to essentially make a way the best they can—that one little decision can change everything, and how precarious the path is that we ask them to traverse, largely unaided and uninformed.

Everything.

Usually, I am overcome by moments of intense emotion—teaching does that to you—before I get myself together and think of what I am able to do with these moments, and I cannot anticipate when or where they will occur. That’s what happened today, as the students worked and as I slowly (but silently—maybe I’m not so much of a rookie after all) fell apart and put myself back together again. I’m reminded that the local college has an extension school that is taught by the best professors and that high school students from here can go free. She’s going to come chat next week, I hope, and we can think about that as an option. I’m sure we’ll consider other options, as well, as we sit down, research, talk, hope, do…

And I won’t cry, but I’ll hope really hard, put my head back down, and get to work to think of how we can make decisions—or pressure those in the power to make the bigger decisions—to envision how to create equity for these brilliant, brilliant children that are going to change the world.

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Taking Them As They Are…

Once the first semester ended in mid-January, I had exactly a weekend to turn around and start teaching the same couse to a new group of sophomores.

After reminding myself about the need to just keep breathing, I also had to remind myself that the new kids who entered my classroom, filled with a mixture of excitement, anxiety and dread (thanks to their predecessors who told everyone they knew about how hard the class was, how much they learned but mostly, too, how glad they were that the class, for them, was OVER), were just that: new kids.

That’s why summers are so great when we teach: we end the year more than exhausted, but we have the summer to forget how difficult it is to break in a new crop of students. We forget that we have to teach them procedures, that there are days when it feels like we’re caught so deep in the muck that a thesis statement is as foreign to them as learning…I don’t know…insert something that’s difficult; that there were plenty of days when discord tiptoed around the edges of the classroom, threatening to overtake whatever it was that was supposed to be happening at any given moment.

Instead, as we laze (ha!) through summer, we instead replace those real memories with fond ones of kids who hung around and wanted to share their poetry (that was actually good), the reflections wherein students waxed about how much they learned, the thank you notes that parents and students were nice enough to write.

Revisionism is a beautiful thing, particularly when related to teaching. And it’s not, necessarily, a horrible thing, because it enables us to hold dear to the various meanings of success we see in our classrooms over the course of a term. And it probably enables us to muster the courage to come back in the fall.

Let me repeat that, though: over the course of a term. It does not happen overnight.

And so, this George Washington quote–this fantastic quote that Jim Burke uses to begin a chapter in his incredibly useful book What’s the Big Idea–resonates with me now more than ever, particularly as I begin to grade the first papers from new kids in a new term.

“Well, we must take them as they are and make them into the soldiers we need them to be.” 

Thank goodness for an unexpected snow day, that allows me to read through the papers with more leisure than I am usually permitted. I had to remind myself, again and again, that these were new students, that they had not been privy to the writing workshops, the practice, the expectations that we are all writers, with important things to say and that good writing takes time. Thus, their theses statements would not be as well developed, their language not as sophisticated, their analysis not as through and interesting, their voices still clanking along in essay voice.

Yet.

And that’s okay.

For now.

More than anything, I think I’ve finally reached the point where, after giving fond farewells to the old kids, I can open the door to the new students and be excited about who they will become, the powerful readers and writers I know they can be.

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Everybody Deserves a Party: Holiday Break

One of the pleasures of teaching in my current city is that I have students of parents who are visiting academics at the local university. I had one such student this semester. Since his dad’s fellowship ended this week, today was our last day with this student, who was headed back to Georgia.

The students organized a party, down to a homemade chocolate multi-layer cake and other homemade joys, and we said farewell to a young man who quickly established himself as one who was honest, quirky, insightful and a part of our classroom community.

When the cake was unveiled, he was overcome by emotion. We all waited for him to take a moment and then he said “No one has ever had a party for me.”

Such a simple explanation for his joy.

Doesn’t every child deserve a party? It’s those little jolts that occur during classroom interactions that I’m reminded of the things that matter: kids need their teachers to have parties for them.

I try to have parties frequently: when a student that caused me to pull out my nearly non-existent hair because I was running out of ways to explain to her how to connect analysis to quotes rather than summarize them turned in a paper in which she was ANALYZING the quote, was DOING the thing I worried we’d run out of time before she mastered, I had a party for her. I called her over, read her the paragraph, explained WHY I was pleased and told her that we’d turned the corner. She had a smile as wide as [insert apt simile here]. And it came at a moment when we were both down on each other: I was sucking as a teacher and she was worried she was doomed as a writer. Then…there it was.

Yeah, have a party.

I’ve had other smaller parties throughout the year: when silent kids speak up and have said something profound that sets us all back on our heels; when others make some comment or connection that drags us from the literary time period we inhabit into the present; when typically self-absorbed young people open up a classroom to create real community, one in which everyone matters, one in which when a young man cries, we don’t bat an eyelash but hug him even harder because we want him to take our love with him…yeah, I have a party for them.

I hope to have many more parties for my students–small and large–but we will party down in as many ways as I can find and they can create to celebrate learning when it happens.

The pleasures and necessities of joyful learning…happy holidays.

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Thinking About…

This stretch between Thanksgiving and the winter break might just turn me inside out if I allow myself to get “overwhelmed” with everything that’s to be accomplished. We have about five weeks remaining in the semester. In that time, we’ve got to sprint through Frankenstein, I’d like to have kids do some independent work by posing their own questions, pursuing their own lenses as they read and some other ideas I’d like to try…

But we’re also finishing up Macbeth. At one point in time, kids had simultaneous projects going on and I was feeling unsettled. I knew that because while they were working on something, I was reading recipes on food blogs. That’s usually what I do to find a moment of clarity: read recipes. There’s something so soothing about measures and baking and temperatures.

On Wednesday, I had kids watch Thinking About You from Brave New Voices and write a response about what they were thinking about at that moment. I told them, honestly, that I was thinking about what mattered most and what was most important.

I told them I wanted them to create excellent Macbeth final projects. That I was thinking about my concern that I was asking them to do to much at one time, that I worried we were going to compromise quality. I had to remind myself that the time we have remaining still matters. Above all, I was thinking about excellence–honest excellence–and making sure all kids had a chance to shine.

I tend to have moments where I have to stop myself and check in. That’s what I did on Wednesday. I told the kids where my head was at and then I adjusted the timeline to allow for an additional day for them to make any necessary changes/adjustments/whatever last-minute things they needed to do in preparation for today: The Shakespeare Festival.

They’ve uploaded their films onto our Macbeth You Tube channel. I couldn’t help myself: at 4 a.m. this morning, I watched bits and pieces of all of their films and they are–as I’d hoped and expected–brilliant in all kinds of different ways. And later today, we’ll eat some food, watch the films and debrief the experience. We’ll enjoy the time we have, knowing that–because I created more time for them–they, yet again, return the favor with excellent demonstrations of what they’ve learned.

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The Dawn of a New Day

The Dawn of a New Day

Was on my way to pick up something–rushing, as usual–and had to stop and admire the view from the other side of the fifth floor.

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December 7, 2012 · 12:57 am