Some Argumentation Ideas from NCTE

Looking for ways to teach argument in your classroom? Here are some good ones, including one I wrote about the counterargument from the National Council of Teachers of English’s High School Matters blog. 

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Why Conferences with Kids Matter

There are lots of kids in my classes this year. It’s only now that I think (think) that I know all of their names (a fact that is both embarrassing and infuriating to me because I feel I should have it down by now).

Getting to know them as writers is much harder, particularly given attempts to turn papers around regularly. I write fewer and fewer comments on their actual papers and encourage them to schedule a conference with me to really talk about their work.

Those conference slots tend to fill up around the time a paper is due, which is what happened this week. While we get some good discussions about where they’re stuck and what they’re thinking, for me, the most important aspect of the conferences are that I can actually get to know the kids. In those moments, when they shyly push forward sentences and paragraphs, make the apologies full of fears of their work not being “good” (whatever that means; I tell them we are all in a state of revision, no apologies are necessary), I ask them how the class is working for them, let them talk through their challenging parts…I take notes then we make a plan for next steps, which I make them write down, because they are young people and they forget and one-on-one conferences are intimidating, I know.

It’s amazing, too, because the kids who sit in class and are the quiet ones, or the ones that seem so self-confident, are so different in conferences. So open, I guess, so willing to engage in a conversation about how to improve their writing.

I learn as much about who they are as people as about what they need to do to strengthen their thesis, in those conferences, and I never regret having them. I also have my student teacher conduct ones with students to understand how to be kind, how to listen to kids, how to give pithy advice that will send them confidently on their way. I find that once students come for one, and generally find it useful, they’ll return for more, and their confidence develops, their questions about their work gets more complex and nuanced, and that growth helps me to understand their development as young writers.

I continue to keep in touch with students I’ve taught over the years (though after 11 years, it takes me a moment to remember where I knew a kid, given that I’ve taught in so many different places; I guess I need to do some more Sudoku). I recently worked with a student who I taught as  a freshman four years ago. He’s a senior now, preparing to go to college. His mom contacted me, worried about what he needed to do, what she needed to do, to get him ready. So, I met him on a Saturday at one of the local public library branches to discuss the Common Essay application prompts. This is the prompt that resonated most with him:

Recount an incident or time when you experienced failure. How did it affect you, and what lessons did you learn?

Apparently, he tried out for the high school basketball team as a freshman. Didn’t make the varsity or the JV. The following year, he didn’t make it as a sophomore, either. Ditto for junior year. I asked if he planned to try out this year and he nodded yes. What if you don’t make it? “I guess I’ll run track,” he said. Not bitterly, not quite resignedly, but factually. He wanted to do something that would keep him physically active and track seemed to be it.

We talked about what he learned over the years, when he didn’t make the team, and he said he kept trying out because he felt like he got a little bit better every year, and that people encouraged him to keep working. That this kid was willing to keep trying, even when there the chances of making the team are so small, was quite telling to me. He plays in local leagues, practices, hopes to make the team. Perhaps I’m even more impressed because so many kids would have just given up–heck, I would have given up, probably, after the second time. There definitely would not have been a third or a fourth time. Talk about grit, and perseverance and resilience…

“You have a great story,” I said. “Write it.”

I’d want that kid at my college. He seems to have the qualities that we want: being able to pick yourself up after things don’t go your way, to keep trying even when there is no guarantee of a winning outcome…and you’re 17 years old? Yeah, you’re gonna be just fine.

I never would have had the opportunity to be blown away had I not spent some time on a Saturday conferencing with a kid about what he learned about failure, and why he’s going to keep trying. Kids have great stories to tell and write; thankfully, I can listen and learn when I carve out time to sit beside them.

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Video from the Random House Teachers Event for New MLK HS Anthology

I spoke at Random House’s Author Event for NYC Educators on Friday, June 28, 2013. Best thing I might have said (and what I firmly believe): “Intertextuality is my jam.” The anthology is called A Time to Break Silence and is appropriate for grades 8-12.

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September 4, 2013 · 11:03 am

And So It Begins: This HAS to Work

Summer officially ends on Monday, when I return to school for a grade-level PD meeting, followed by a few more days of all-school PD. The kids turn up after Labor Day.

I’ve been thinking about this new group of kids quite a bit as I prepare to launch a new initiative, now called Honors Prep. 21 students (with the potential of reaching 23 by the time we are rolling along) have made the commitment to take my class this fall with the goal that it will prepare them to enter–AND STAY–in Honors English classes for the rest of the time in high school. Thus, by the time they finish a semester of the prep class, they enter my Honors English class, prepared to be awesome.

My contention is that they simply need a bit more time: to learn the skills required to write well, to spend some more time sharpening their critical thinking, to improve their reading skills. They also need a bit more time developing their grit: what to do when things get difficult. Rather than quitting, they need to learn strategies for surviving and thriving. Traditionally, underserved kids (insert all of understanding of kids who aren’t in Honors classes: kids of color, kids who are from low SES, some boys, etc.) show up for their Honors class, get the first assignment or two and then drop the class. Nearly all of them do not take an Honors English class again in their high school experience.

Not acceptable.

They need to learn that they have the power to be intellectuals if they 1) believe they can and 2) learn the requisite skills.

So while I’m developing a new class, the only big differences will be in the content and in the amount of scaffolding they receive. I’ll still be my warm-demander self, but I anticipate loving them up a bit more as they get used to being pushed. It’s going to be uncomfortable for them at first, true, but I believe in them more than they will believe in themselves at first. It’s fine. I’ve been in this position before.

It’s a parallel skills class: they’ll learn to cite evidence, close read, write arguments, conduct rhetorical analysis, ask their own questions (it’s an inquiry-based class anyway), lead discussions, the same things the Honors classes do, but they’ll have a semester to “practice” and “master” those skills before being thrown into the deep end. Now, I’m not necessarily reducing the amount of text complexity, but I am starting a bit slower.

My Honors classes tend to study: The Odyssey, Things Fall Apart, Macbeth, Huck Finn and Frankenstein, with some particular attention to smaller units that deal with women, postcolonial lit theory, rhetorical analysis, etc. They also write a good amount as they tackle the argument (it’s own challenge because we struggle with disabusing them of writing with formulas…it’s fun and eventually we find peace, but it takes us nearly all semester).

The Prepsters (as I call them unofficially; I’m thinking we should get some t-shirts!) will be practicing the same skills that the Honors kids are working on, but will use different texts. Their texts include Purple Hibiscus, Merchant of Venice, Malcolm X and smaller units on the short story, tracking a columnist for rhetorical analysis and, yes, lots of writing.

Both groups will get some early work on growth mindset. All students will be part of a smaller writing/review group. Honors Prep kids will have the support of some graduate students who will be responsible for monitoring the progress of the writing groups.

I’m moving to the writing groups (and I think that they’ll have a broader function of supporting the students within them as they collaborate) because I’ve been thinking about a comment a parent made to me last year. He wondered why American students tended to be so isolated when they studied. He, as Argentinian, was much more accustomed to working with a group, of being part of a regular community that shared ideas, helped each other out, became stronger because of a shared experience.

He’s right: I do a LOT of community building in the early months of school, then move into community maintenance for the remainder of our time because my students tend to be ridiculously competitive. I have to teach them–intentionally–how to work together, how to collaborate (which, by the way is one of the skills lacking in young people, the ability to collaborate and one which employers wished students were more adept at doing). Thus, if I set my mind to doing it from the beginning, then it will be something I can give due diligence rather than treat it as an add-on.

I’m grateful that so many people are behind this idea for the prep class. I’ve just decided that it has to work because these kids–the ones who rarely make it in an Honors class because of lack of preparation, the kids, I would argue, that we NEED in Honors classes–deserve it. They deserve to be in an environment where they know they have a shot to make it, and they need to know that they are prepared to answer the difficult questions, take the tough risks, write the hard papers because they’ve been prepared.

And because I am an eternal optimist, my hope is that next year, I teach a few more of these classes, get a few more kids ready to move up into the Honors track, and those kids become part of a support network of the kids that came before, and they look back and pull others up. Then, in five years, I hope to not be teaching these classes at all because–while I don’t believe in panaceas–at least this class will have become enough of a model that other folks realize that if we simply buckle down and do the hard work of believing first that ALL kids deserve this preparation and that it should be happening up and down the grade levels, others take up the challenge and…I can’t quite even finish that thought because if that were to happen, we might have a revolution.

I’m down for that.

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Finding My Way Back to YA Lit: Aristotle & Dante

The best measure for me to determine if I’m reading a book that is weighty and meaningful (and please keep in mind that these terms hold various currency at different times in my life, dependent on what I’m supposed to be doing or attempting to ignore) is if I’m unafraid to read and cry on the subway.

I’ve read several titles that had me weeping, furtively wiping my eyes, wearing my sunglasses UNDERGROUND because I was overcome with something emotional about a text. I admit that I hope people don’t think I’m insane, but, when a book takes you, you don’t really quite care enough about what people might say. All that matters is, well, the book.

In this frenzied summer of teaching writing with high schoolers and literacy to preservice and new teachers, I have also been attempting to help all of them broaden their understandings of what it means to read and write. The teachers participate in a book club in hopes of remembering what real readers do (funny, they tend to want to impose all of these arcane rules on students that they would never do to themselves. I constantly remind them that, if they don’t want to complete particular activities after doing something,  then students don’t want to either). Given that the class is a mix of elementary, middle and high school teachers, of all subjects (no comment on how much of a challenge this is, but I will say that thoughtful, flexible groupings make everything better), I provided a list of books along the grade-level spectrum.

One of them was Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Saenz. Now, as much as this is a young adult novel about two Latino young men discovering who they are, falling in love, and being loved by such wonderful parents (oh, I wanted their parents to be my parents or to be parents of kids I taught, or just, I don’t know, hang out with them or go bowling or just be in the same room with them…) it is equally as much a book about literacy. The boys read to each other, share poetry, draw, write letters…I wonder if this is caused because the setting is late 1980s El Paso, Texas and how much things would probably be different (I had a moment when I wondered, why don’t they just text, which sent me rereading for the actual year), but I am so grateful that this novel is set in the time before technology changed everything.

Image

Aristotle & Dante: Two kids you should get to know

This, too, is a story about boys who love each other. Machismo aside, they cry, they hug, they are true to each other. While one boy’s father is struggling to be demonstrative with his love around his son, the other boy’s father is loving, gentle, kind in ways that encourage his peer to do the same.

It’s a wonderful model for what friendship might mean between two boys who love each other on multiple levels, and who want to be who they are within and without the confines of societal expectations, regional (mis)understandings, and, for lack of a better word, the universe. Don’t we need such nuanced stories, particularly when it’s so easy to think of young men as hard, as uncaring, as ones who definitely don’t cry?

Now, I’m back on the YA lit train and I can’t get enough of it. It’s been years since I really was able to immerse myself in the genre. It’s so well-written, so evocative, so important for young adults and the folks who try to understand them and who value them.

I’m ordering a few copies of Aristotle and Dante (side note: and I’m also happy the Printz award committee selected this book–let’s hear it for diversity!!) and I can’t wait for kids to say to me, “Dr. P, can you believe it when…?” and I’ll nod, and we’ll dig in to those conversations about loving texts, and young folks who figure it out, and who we love as much as if they were real people, too.

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Showing Up

Anna Quindlen has this great philosophy about life, wherein she says something to the extent of “I show up, I listen, I try to laugh.”

I collect a lot of words: jot them down on scraps of paper, inside my planner, the app on my phone, my Moleskine, and try to remember them, but this is one of the few quotes that I have committed to memory. It’s probably because this is my general outlook on life.

This summer, I have been teaching writing again to another phenomenal group of young people, though I’ve had more of them for a summer (which has been perplexing for me because I feel like I just don’t know them like I used to–it’s much more difficult to figure out a kids’ writing quirks when there are +30 as compared to 15. I have even more sympathy and respect for teachers who have that many kids in their classes every day). Because I’ve had a larger class load, I’ve gotten creative about how I interact with kids. I’ve conducted writing conferences at breakfast, talked about integrating quotations over Google Docs and in the hall, given a quick recap of the Birmingham Children’s Crusade over lunch, and stopped to have intense chats between points on campus.

That’s what it means to show up.

Last night, I went to the summer showcase for a writing program because it featured a young man I urged to attend. He’s the type of writer whom you, essentially, get out of his way. We had sophisticated conversations about word choice, about intention, about meaning in ways that I’ve not spoken with many young people about, and that’s because he is curious, earnest and dedicated. (Funny, too, he’s the student who wrote quite adeptly about how he was dissatisfied with our classroom discussions about voice; he found them too reductive when, after all, voice can take a lifetime to develop. Touche. Absolutely correct…)

He was surprised to see me, and broke into a huge grin. As I chatted with his parents in the moments after the reading and before the young writers disbanded to find their families, his mother asked about my summer and thanked me again for suggesting he do the program. The student told me he’s submitted a few articles, rattled off something about words and length and I simply…marveled about how summers help young people to grow, and to be creative and to do powerful, amazing things. (On another note, how can we keep that fire from the summer in the school year?!)

And I’m pleased I was able to show up to let him know I was proud of him.

When I first began teaching, I showed up for everything: after school sessions, book clubs with students, parent events I created, community lectures that I attended with students. My week was on a seven-day cycle. Now, I am selective about my showing up: I get tired, and then I get cranky, and then I realize it’s not fun showing up if I am irritated and thinking about other things.

Thus, I try to pack a number of events into a weekend, say, or an afternoon. I can do a pancake breakfast sponsored by the crew team, see an early afternoon soccer game, hope that there’s a dance performance or a preview of a play, and perhaps squeak in some time to chat with a student who I’ve been hoping to build a stronger relationship with over a high point that I witnessed at one of those events.

There is a power in showing up for kids, and I understand, every time, that there is a power in showing up for them that extends to me. I am never sorry for the time I spent listening, laughing, pushing, stepping back, or just…being in their presence.

I’ll hope to build in those times to see them in other contexts beside the classroom throughout the upcoming school year.

I will show up. I will listen. I will try to laugh.

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Filed under Student Interactions, Teaching Writing in the Summer

One Year!

Word Press just informed me that I’ve been blogging for one year. One year?! Already? I swear that I blinked and I missed it. But this picture of Octavia Butler is a fantastic way to celebrate. Image

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Trying to Turn to Wonder

The strange part about social media is that, even when you don’t want to, you find out what people you know (or, in this case, think you know) are thinking.

This week has been difficult, largely because injustice prevailed in the Trayvon Martin case. I have been inundated via the media, as people express feelings of hurt, disappointment, lack of surprise, all of those emotions and more as many of us attempt to get some sort of perspective on this moment when yet another young Black man is killed and justice isn’t served. 

I intentionally decided to limit reading of social media. I didn’t want people telling me how I should feel about the verdict, attempting to justify any laws, making dismissive comments about the values–or lack of values–of Black bodies. I also didn’t want to have to, as a surprising number of friends have been doing, un-friend folks for their comments and perspectives.

Not this week.

However, given that I’m teaching in my summer program, it’s not like I could stay holed up in my apartment during what has been a heatwave and refuse to engage with anyone. So, I began to process the verdict with people I trust, and showed up for school on Monday. 

The kids knew what had happened, but I don’t think they quite knew how to talk about it. Thus, I started with my own feelings, wherein I expressed my sadness, my feelings of hopelessness, my…worry that, as the aunt of two Black boys they might one day experience this. I recalled my student who was killed the first year of my student teaching and how the school essentially kept moving along while the teachers who loved him were left to pick up our own pieces. If anything, I was trying to feel hopeful when I was fearful.

Gotta tell the kids the truth.

They began to speak, and their responses were similar to mine, and different, close and far, but they were their responses, and they were real, and valued, and they mattered. 

Still matter. Will always matter, as far as I’m concerned. 

This is one of those difficult conversations that teachers can have with kids, or choose NOT to have with kids. Race is going to come up–it’s the axis on which everything turns, I’d argue–but these conversations are challenging, scary, and also easy to “convince” students what they should be thinking. I try not to do that, but that, too, is difficult to manage around sensitive topics. I do a better job of it sometimes rather than others.

Another group of student writers read King’s “What is Your Life’s Blueprint?” and had to write about the relationship between that text and another. Many of them chose this article, an apology to Rachel Jeanteal. The letter and Rachel are compelling to them. Like Trayvon, we know Rachel, too. And many of them are grappling with the bigger idea of what to do when your “somebodiness” as King defines it is challenged by forces over which you have no control.

I read this quote somewhere that said when times get tough, turn to wonder, and I’m really, really trying, but I am so very disappointed. 

Trying, though. Ever trying.

Then, it happens: I sit and talk to a young writer about the article, about quotes that stand out to him, about details that matter, and I realize that in those spaces, hope does exist. I do try to turn to wonder with them, and we marvel over the relevance of “Blueprint” to all young people, not just the underserved ones. I do think and believe, too, that they can be change agents in the world, and I say it to them, while swallowing my own worries of racial profiling, presumed guilt, other concerns that threaten to paralyze me if I sit and think about them too much. 

We’re going to see Fruitvale Station. Their decision. I read them a bit of the review from the New York Times and they said we should go. I suspect I’ll be chaperoning a trip once it comes to the city, then spending even more time afterwards trying to help us all figure out what it all means: to be people of color, living in a world where wonder is important, but is, at this moment, so difficult to find.

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Teaching At This Moment: Already Missing the Time I Don’t Have

A couple of weeks ago I spoke at the Random House Annual Educators’ Event in New York City, where, I started by saying that I refuse to be freaked out by the Common Core State Standards (CCSS). I then was able to explain how I’m anticipating being able to be creative, to think broadly about texts, to help my students engage in complex, higher-order tasks around literature and literacy.

At the moment–and still–I believe that. 

However, the problem is that the more I read about the CCSS–the vast amounts of money that are driving the initiatives, the stakes that are going to impact educators and students–I realize that staying true to the desire not to be freaked out, to hold on to those beliefs, is going to be more difficult than I anticipated.

I’ll explain:

  • Complex writing tasks mean more people are going to need to be expert writing teachers. There are simply not enough of us in the field who feel confident teaching writing. Thus, we see lots of reductions of writing to acronyms, to numbers (paragraphs, sentences, words, whatever), and we move further away from what we know to be true about how to turn kids into powerful writers.
  • Appendix B is a suggestion, not a mandate. I am excited about using it as a suggestion and building some unbelievable text sets that encourages intertextuality, synthesis, real writing. However, there will still be schools and departments that use those texts only. How can we expand our understanding of literature and literacy (as evidenced by my current reading of this fantastic book that I highly recommend) if we only use Appendix B?
  • I have become interested, of late, in text-dependent questions (TDQ) because, as I’ve stated before, I’m a much stronger writing teacher than I am a lit teacher, so I’m constantly thinking about ways to improve my craft. TDQ drive students back into the text, which makes sense, right? What makes you think that? Where in the text can you find evidence to either support or refute those ideas? But, there are formulas for these things, too (related to generating questions. This site made my head spin).  I worry that in our quest to make everything systematic, or “accessible” or whatever that we make it too uniform. Why not have kids create their own TDQ? In all of this desire to get kids “college and career ready,” I don’t see a lot about how teachers can systematically teach kids to take control of their own learning in the classroom. I usually teach them how to ask questions, we spend time (most of the term) generating, critiquing, revising questions for ones that do what we need them to do. I don’t know…I am not optimistic that that independence is quick to come for kids. 
  • Time, the need for so much time to understand what is coming. And time is the one thing we simply do not have. Currently, I’m fretting about systems, how to create peer review that works, how to reduce the amount of direct instruction to allow for more time for kids to master the content through hands-on work, but most of all, I’m worried that since my principal lifted the caps for class sizes, next year, I could very well have three sections a semester of 30 kids in a class. How will I be an effective teacher with classes that are this large? What kind of teacher will I be if I don’t have time to read papers, give feedback, conference, etc.? Will we have time for those moments–those in-between moments–where the learning happens? 

While the above concerns are all relevant, I think the last one is the most perplexing for me. I have never taught classes of this size, though I have many colleagues who do. I worry that these adjustments, of the class size, will force me to change my practice in ways that concern me. 

As I said, though, I refuse to be freaked out, and I’m pretty good at finding end runs around potential road blocks. 

And, it is summer, after all. 

Thus, I’m thinking about systems. I’m pretty sure I can get kids to work in groups for writing feedback and I just need to get better about rotations of due dates, what I will grade, what counts as indicators of learning. I’m also going back through what I need to teach and making myself justify what’s important (not interesting; sometimes, I get caught up in what’s interesting and shiny, pretty, things) and only do that. Only do that. That’s kind of fun for me and my neuroses. It’s also the only way I can contend with being able to be in control of the situation rather than the situation controlling me. 

 

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From Cocoons to Butterflies: Teaching for a Decade (or, please don’t take this the wrong way, but I actually learned something)

Look, I was the last person to ever think that I wanted to be a teacher, despite prescient adults who told me repeatedly as a younger person “you’d make a good teacher.” As far as I knew, teachers were always broke and they worked with insolent young adults.

Fast forward a few years and here I am, wrapping up year 10…10 years!!!

For the first time EVER in my life, I’m not ready to poke a pencil in my eye and berate myself for all the little problems that manage to suck the joy out of teaching, or at least the joy of remembering that, in the broader scheme of things, I am not such an awful teacher (admission: I am often filled with doubts, though I’ve learned many of the teachers I admire are; but, because another teacher I admire said something, to treat teaching like a baseball season: never let your highs get too high or your lows get too low, I’ve become more gentle and forgiving with myself).

My first year teaching Honors and I accomplished some of the goals I set out to achieve: the kids improved their writing; I figured out how to do better close reading and textual analysis (not my strongest points; I will always be a better writing teacher), and the kids confirmed their learning in their final papers of the year, wherein they get to reflect on what they’ve learned and offer me some constructive criticism (they are absolutely gleeful at this part of the assignment; I told them that they can be brutally honest, as long as they remember to be nice; for the most part, they always comply). Their criticism is usually spot-on and I generally use it to make revisions.

Here, excerpts from some gems:

  • This class will definitely affect the way in which I will approach future classes and challenging circumstances, instead of having the mindset of “oh my god I can’t do this” I now have the mindset of, “okay, this is hard, but eventually I will be able to do it.”
  • I have never been more tired in my life. But I am a satisfying kind of tired. I have never had a teacher expect me to do more work before, but because you held us to such high standards, I have truly become a much better reader, writer, analyzer, re-reader, re-writer, and multi-perspectival analyzer [insert my thoughts here: say word?!]…And the student continues: My favorite aspect of the class was the amount of respect you showed us, which revealed itself in the ambitious level of reading and writing assignments. [Me: this same kid suggested I slow down the pace of the class because she often had a “book hangover” and wanted to continue our discussions. Love!!!]
  • This is the first honors english class I have ever taken. At the beginning of the year I was timorous [insert my thoughts here: LOOK at the use of one of our vocab words!!!] He continues: As the class went on you got a connection with each and every student and you were not going to fail them. You do everything in your power to have a productive class everyday of the week.
  • Part of the reason I think she [me] was so successful was because I felt as though the majority of the time, we as a class were learning together, not individually. I never felt as though I was being spoon fed information on a subject but rather that the classroom was an open pool for free thinking and discussion amongst ourselves.
  • I will always remember that going above and beyond helps. Teachers like to see effort, so when a student takes a simple project and makes it spectacular, that’s a plus.  [Me: This from one of my students who I had to push every single day–and who pushed me back every single day–about why she just couldn’t be great. Eventually, she came around to seeing what I saw in her the moment I met her.]
  • [On the Macbeth movie project] It helped me branch out more from my cocoon of quietness into a butterfly of loudness. Being put up on the screen, wearing a fairy outfit and reciting lines from Shakespeare, in front of your classmates really changes a person.
  • My most favorite unit was actually the rhetorical analysis unit because I found it much to my liking. Please don’t take this the wrong way, but I actually learned something that I can use later in life. Now thanks to you I know how to convince my mom to give me things I want and spend more money on me.
  • Most importantly I learned that teachers are never here to hurt you, they’re here to help you. I never thought that going to your teachers for help with your situation would help. Since you helped me bring my grade up and gave me helpful tips to make my work better I tell my friends “Go talk to your teacher, they’re there to help.”
  • What I really liked about this class is the stress of intellectual learning…I felt that I was finally connected to the world of intellectuals. Your class was one of the first times I felt like an intellectual in school…I always wanted to be an intellectual, so your little tips like reading The New York Times helped my wish become more of a reality.
  • Now I think of essays in terms of content and complexity of the prompt, not the length…I no longer dread essays and I have learned to just do it.
  • My experience in this class has taught me that writing is a process, that independence in a learning environment is a privilege that should be handled wisely, and that working with classmates is a huge contributor to learning.
  • The way I saw your class was like this: Everyone starts from the bottom and they slowly work their way up the ladder to an A. Climbing that ladder to me has been one of the hardest yet most liberating experiences I’ve had thus far in my writing career and you are the reason for that. [Disclaimer: not everyone earns an A; but few, if any students fail, and most end up fine in the end]
  • I know now that writing isn’t focused on how you start out, it is more focused on how the author finishes their craft.
  • I would also note that the literary citizens of the world events have reminded me how I should be interacting with the world around me even if it isn’t a requirement.
  • [Future English classes should know] This class will go beyond the surface of what “English class” entails. There will be presentations, discussions, that will pertain to a sort of question of the ages and call for higher order thinking and questioning. It is impossible not to learn in this English class.

I take this assignment seriously, and they do, too, much because I think that the students who took the course in the fall directly impacted the changes that this current group of students experienced. Thus, hopefully they know that I value their opinions, and that I, too, am continually figuring out how to be the best teacher I can be, every day, but I need their help to get there.

And, of course, the suggestions they offered are ones that I will think about and turn over as the summer winds on, but I will no longer let them eat me up as they did before. The amount of learning that students own and can write about matters, and the revisions to the course I make as a result are constructive and offer the opportunity for even more students (and their teacher) to do this work–joyfully, on most days.

After 10 years of doing this, I am more joyful and more satisfied than I have ever been as an educator.

As soon as I got on the train to go home–feeling a bit bewildered that a school year ends much more with a whisper than a shout–I opened my book, Southern Cross the Dog by Bill Cheng [note: you should just read this book right now] and fell right into it. That’s a sure sign that summer’s here: time and freedom to read my own books, time to slow down, time to savor, time to catch up, time to dream…

Welcome, summer.

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